000			02104cam0a2200445 4500
001			13345
003			http://www.sudoc.fr/199758298
005			20231219100401.0
010			_a9781138914377
020			_aUS _b2015012313
035			_a(OCoLC)980369818
035			_aocn914156914
035			_zocm923731557
035			_aAU@000055076882
035			_a408470
073		0	_a9781138914377
090			_a13345
100			_a20170401h20162016k y0frey50 ba
101	0		_aeng
102			_aGB
105			_aa a 000yy
181			_6z01 _ctxt _2rdacontent
181		1	_6z01 _ai# _bxxxe##
182			_6z01 _cn _2rdamedia
182		1	_6z01 _an
200	1		_aUsing the sky _ea dance _bLIVR
210			_aLondon [etc.] _cRoutledge _d2016, cop. 2016
215			_a1 vol. (XXVI-138 p.)
215			_cill. _d20 cm
320			_aBibliogr. p. 138
330			_aLa 4e de couverture indique : "In the mid 1990's Deborah Hay's work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers. (...) This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances : A Lecture on the Performance of Beauty (2003), If I Sing to You (2008), No Time to Fly (2010), and the solo My Choreographed Body (2014). The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay's extensive legacy and her profound influence on the current conversations in contemporary performance arts."
600		1	_3146373480 _aHay _bDeborah _f1941-.... _3027818217 _xChorégraphie _2rameau
606			_3034993223 _aDanse contemporaine _2rameau
676			_a792.8 _v23
680			_aGV1783 _b.H374 2016
700		1	_aHay _bDeborah _f1941-....
700		1	_3146373480 _4070
801		3	_aFR _bAbes _c20170428 _gAFNOR
801		0	_bDLC _gAACR2
801		2	_bYDX _gAACR2