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Using the sky : a dance

Auteur principal: Hay, Deborah, 1941-....;AuteurLangue : anglais.Pays : Royaume-Uni.Description : 1 vol. (XXVI-138 p.)ISBN : 9781138914377.Dewey : 792.8, 23Résumé : La 4e de couverture indique : "In the mid 1990's Deborah Hay's work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers. (...) This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances : A Lecture on the Performance of Beauty (2003), If I Sing to You (2008), No Time to Fly (2010), and the solo My Choreographed Body (2014). The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay's extensive legacy and her profound influence on the current conversations in contemporary performance arts.".Bibliographie : Bibliogr. p. 138.Sujet - Nom de personne: Hay Deborah 1941-.... -- Chorégraphie Sujet - Nom commun: Danse contemporaine

Bibliogr. p. 138

La 4e de couverture indique : "In the mid 1990's Deborah Hay's work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers. (...) This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances : A Lecture on the Performance of Beauty (2003), If I Sing to You (2008), No Time to Fly (2010), and the solo My Choreographed Body (2014). The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay's extensive legacy and her profound influence on the current conversations in contemporary performance arts."